The Red Pill: Feminist Discovers Men Are Not Demons

Now available for free on Amazon Prime.

Cassie Jaye is a feminist filmmaker who takes a look at Men’s Rights Groups and their issues through a fair and objective lens. What she finds is shocking.

I don’t care for many documentaries because most of them are “docuganda,” that is, agenda-driven propaganda in the guise of impartial “journalism.” Heck, most of them don’t even bother to pretend being impartial anymore. And it’s no surprise most of them are left wing agitprop, because, well, conservatives still don’t believe in the power of culture and media, so they’re still cursing the darkness without lighting a candle.

But The Red Pill is different. The Red Pill is fascinating. It’s riveting.  It’s the anatomy of a conversion taking place right before your eyes. All right, I’m going to give a big fat spoiler, but in this case, I think it’s actually the selling point of the film… Continue reading

Jefferson’s Wall of Separation Was Meant to Protect Kim Davis, Not Jail Her

If you think Kim Davis should obey an unjust immoral law, watch this video.
You may not understand the constitution like you think you do.

Kim Davis = Rosa Parks.
Speak truth to Power.

Watch it on YouTube Here.

Watch the entire playlist of all three clips.

It is the first of three film clips from my documentary titled “Faith of Our Fathers” (Previously titled Wall of Separation”)

The documentary had its name changed from Wall of Separation to:
“Faith of Our Fathers” (But it’s still the same documentary)

Buy Faith of Our Fathers on DVD cheap at Amazon here.

The 10 Commandments is the Wall of Separation from Tyranny

Watch the YouTube Video here.

This is a second film clip from my documentary “Faith of Our Fathers” (Previously called “Wall of Separation”)

It explains how without God’s Law being higher than the law of the state, the state becomes god to the people. It’s quite monstrous. We are beginning to experience the injustices of this slide into tyranny right now.

If you think it’s an exaggeration, you are uninformed. I am studying first century Rome under Nero. Christians under Nero fought against abortion (very prevalent at the time), and homosexuality, and yes, against Big Government (which they called “The Beast”) — They preached a “higher king” than Caesar, and a higher law than the state, as well as the judgment of God upon wicked rulers. Ancient Christians were considered intolerant and non-inclusive.

They were blamed for the ills of the city and nation, including the Great Fire of AD 64.

They were called by the meme — I kid you not — “haters of the human race.”

Then came the lions.

The documentary had its name changed from Wall of Separation to:
“Faith of Our Fathers” (But it’s still the same documentary)

Buy Faith of Our Fathers on DVD cheap at Amazon here.

The New Fascism: How the Supreme Court Undermined the 1st Amendment


You can watch the video at YouTube here.

This is a film clip from a documentary I wrote and directed called Wall of Separation (Now titled “Faith of Our Fathers”)

I am posting it because it is very relevant to the current persecution of Christians that is growing in our country — Nowhere near the persecution of Christians in the Middle East, but a persecution nonetheless by those with the same intent: to ultimately outlaw Christianity.

The new fascism in America. Here is where it all began.

The documentary had its name changed to:
“Faith of Our Fathers” (But it’s still the same documentary)

Buy Faith of Our Fathers on DVD cheap at Amazon here.

Lines That Divide: 3. Adult Stem Cell Miracles. No Exaggeration.

Here is some amazing good news in a world full of an evil abortion industrial complex.

This third film clip is not an exaggeration, there are amazing developments through adult stem cell research that are nothing short of miraculous. The science is settled: Embryonic Stem Cell Research kills human life, but ADULT Stem Cell Research can save it!

I wrote and directed this documentary, Lines That Divide: The Great Stem Cell Debate. Please like the video and subscribe to the channel.

Lines That Divide is also available to watch online through Vimeo On Demand at https://vimeo.com/ondemand/ltd

You can use the code GODAWA for a 50% discount off the rental or purchase price at that link (through the end of September).

The full documentary on DVD can be bought here at the Center for Bioethics and Culture Network.

Grizzly Man

Highly Recommended. A brillianté documentary by Werner Herzog about a loser LA actor turned grizzly bear activist, Timothy Treadwell, who would go up to Alaska every year to spend time with the Grizzly bears of the National Park. This is the most sublime, compassionate, profound and ironic revelation of the complete moronic stupidity of animal rights activists, and by extension other environmental extremists. It is the portrait of a man descending into the depths of self-delusion as he becomes less capable of integrating himself into human social culture, and takes on the self-righteous mantle of “protector” friend and lover of the grizzly bear—all the way up until a Grizzly bear kills and eats him and his girlfriend. It is touching at times, as we see this sad and lonely man wax eloquent about his lack of a love life and inability to relate to women, wishing he were a homosexual to make it easier without any emotional entanglements. Or when we see his ex-girlfriend, a sorry case herself, pine on about how they started Grizzly People together and how much she misses him. Or when Timothy is able to befriend the local foxes, who do in fact become amenable to petting and following him around. It is at times, amusing, as when we see Timothy rant and rave about how he is the only one to protect these bears, and then we find out they are protected on National Park Grounds. Or when we hear local Park Rangers, scientists and mammal and bear experts talk lovingly yet pitying of Timothy’s delusion. Or when we hear Timothy talk about how lonely it is to be the lone man in the wilderness, and then we see him tell his girlfriend to stay out of the camera shot because he is supposed to be alone in the wilderness. Or when we see him do little cutaway segments of him running in the woods with different clothes on so he will have some action footage to cut into. And it is at times, deadly dark, as we see Timothy cuss and rant at the evil Park Services and the government and people, only to realize that this is indeed how hateful animal rights activists are toward their own species, HUMAN BEINGS, in the name of love of animals. Or when we see Timothy’s dangerous ignorance of the nature and the ecosystem by hanging out closely to the bears and getting them used to his presense. By breaking through the distance that the bears have had with humans for thousands of years, Timothy actually endangers both humans and bears because it makes the bears more aggressive toward humans. At times, it is pathetic, as Timothy weeps over the death and destruction of animal life because of his naïve belief in the harmony of all things with the earth. What he completely disregards is what Herzog explains is the “murder, death and chaos” that is the very essence of nature. This kind of idealistic youthful zeal amounts to pure stupidity. And at times it is downright absurd, as animal rights activists are, when Timothy claims some kind of special connection and relationship to the bears while we see close ups of the bears dull expressionless eyes, showing complete disregard and maybe even annoyed tolerance of the pathetic little human annoyance. And through it all, Herzog is subversive in showing the irony and ignorance of Timothy, but mostly through letting Timothy just speak for himself. The ignorance and irony is self-evident. Yet, Herzog is not mean-spirited. Through it all there is a sense of loving concern, respect for good intentions and sincerity. And that’s what makes this so penetrating and honest, and the finest cinematic debunking of the lunacy of animal rights activism ever. These people are sincere, sincerely deluded in thinking themselves saviors of animals with relationships akin to human relationships. The truth is, nature is red in tooth and bear claw. And that gets me to my big gripe about all environmentalism and animal rights activism. They all, usually believe in atheistic evolution. They believe man is not transcendent or special in being created in the image of God, but merely another animal on the evolutionary chain of being. MAN IS JUST ANOTHER ANIMAL. There is no such thing as moral absolutes in an ever-changing universe. Morals are mere social constructions, but they are not actually true in any sense of actual obligation beyond force or power. So if there are no transcendent moral absolutes, and man is just a mere animal, then WHY OH WHY PLEASE TELL ME, DO ANIMAL RIGHTS ACTIVISTS ALL SCREECH WITH MORAL ANGER AT MAN’S ACTIONS AS IF MAN IS DOING SOMETHING WRONG IN HOW HE TREATS ANIMALS? There is no moral absolute wrong in this worldview! Where does it say in the DNA of the universe that man is supposed to do something other than by his nature? There is no such thing as moral right and wrong absolutes, according to evolution, so you cannot say man is doing WRONG when he treats animals in anyway at all. The Great white shark eats cute little seals, the black widow cannibalizes her mate, the male lion and Grizzly bears, (as illustrated in this movie) kill their own young to be able maintain their power or fornicate more with the females, AND HUMANS MAKE OTHER ANIMALS GO EXTINCT. So what? That’s all part of nature. The second you place some kind of moral obligation on man to behave a certain way towards animals, you have just denied evolution and said that man is higher than other animals because he is obligated to some absolute moral standard that all other animals are not obligated unto. If evolution is true and man is just another animal, then man does by nature what he does, JUST LIKE EVERY OTHER ANIMAL does by nature what they do. You cannot criticize man’s behavior, you can only observe, just as scientists observe the behavior of grizzly bears and great white sharks. Moral judgments and criticisms of human behavior have no place in the evolutionary metanarrative. Now, it just so happens that God has revealed in his Word moral obligations, one of which is to not abuse animals and to be responsible stewards of creation. So with every breath that an animal rights activist or environmental activist spews hatred at God, but then proclaims some sort of moral obligation about proper treatment of animals, he is denying evolution and stealing from Christianity, while at the same moment outwardly denying Christianity. We have a word for this: Hypocrisy. Oh, and another one: Depravity. (Romans 1:17-24)

March of the Penguins

Highly Recommended. This little documentary about the mating and child-rearing of Antarctic Emperor Penguins is the finest proof for the existence of God that I’ve seen on film in a long time. As Morgan Freeman, the narrator in the American version says, this is more than a story of survival, it’s a story of love. The organization and ecological integration of these weather beaten little fellows as they develop their families, their searching for mates, their audible recognition of loved ones, their curious little ways are so warm and entertaining and even lovable that the story goes by faster than a romantic comedy. And there is story, a whole lot of it. And you just sit back and chuckle and care for God’s little creatures at the same time that you are in awe and wonder of such a beautiful creation, so fearfully and wonderfully made by our Creator.

My Date with Drew

Recommended. This delightful little cheapo documentary about a Joe Average guy seeking to win a date with Drew Barrymore in 30 days, with a $1100 budget is hilarious, touching and inspiring. It’s made with a consumer camera that was “borrowed” from Circuit City, that is, purchased and returned within the 30 day return policy, since the kids were poor filmmakers in LA. So it’s totally bad quality visually, but it’s great, and why? Because IT’S A GREAT STORY. And that is what I love about the independent market today, because of the availability of digital cameras, independent filmmakers are no longer oppressed by the unavailability of the tools of their trade because of price. It is revitalizing the lost art of Hollywood, a good story. As the box office continues to slump and we are deluged with inflated budget loser movies and an endless deluge of bad 70s TV series remakes into movies (some of which are very good, like Bewitched), this movie, and others like it (Primer) give a refreshing affirmation of good storytelling – BECAUSE THEY HAVE TO. All these no-budget movies have is their story, they have no money and no connections, so they rely totally on story, which is really the secret of the best Hollywood movies anyway. So, hip hip hooray. Do you think the out of touch Hollywood Execs will figure this out someday? Anyway, this is a male juvenile excursion into celebrity worship, which I normally would be repulsed by, but I really think the whole thing is done with tongue in cheek levity. It’s all about the American Dream: that an ordinary man, through ingenuity, hard work and a little providence, can do the extraordinary, in this case, win a date with the movie star he had a crush on as a little kid. In fact, the kitsche scene at the end where Drew encourages Brian, the non-stalking stalker, that she was intrigued by his pursuit of his dream and the desire to transcend his experience in life and make something more of himself, is a little cornball cheesiness, but I was personally inspired and teared up because of it. IT WORKED. The only dark side that struck me was knowing that in an age of “reality TV” God only knows how much of this movie was artificially created in order to appear “real,” yet fit the structure of a good story, like turning points and climax etc. It seems there are no standards of morality for postmodern media, so why wouldn’t they fake the documentary? The very pathos and comedy of it all comes from seeing this as “really happening,” If it turns out the movie is a conceit, this would point up to the destructive power of movies to deceive, much like a Michael Moore film. That does not bode well for us. But that aside, the moment where Brian gets the phone call from Drew’s partner that she wants to see him, it is a brilliant one minute shot of absolute silence as he listens to his cell phone, and we cannot hear anything he is hearing, but we only see his face and all the ambiguous emotions he was going through. It was truly the finest moment in the film and worthy of the accolade of “great filmmaking.”

Voices of Iraq

Highly Recommended. A beautiful film. It seems all we see in our news reporting on Iraq is the negative biased coverage of the press. Pick your prejudice, right or left, American or European, it’s all coming from an outsider’s view of the war. What do the Iraqi people actually think? What do they say, now that they actually can say anything without fear of being tortured for their opinion. Here is the premise of the film listed on imdb.com: “Filmed and directed by the Iraqis themselves — thousands of them, from all walks of life, all over their country. The producers, who distributed more than 150 digital video cameras across the country, condensed more than 400 hours of footage into an unprecedented, and startling, look at life in a war zone.” And what they found is incredible, inspiring and full of hope. The producers show the goofy warped US newspaper headlines during various key times over the last year or two, while showing the true Iraqi conditions. Here are some of my favorite moments: A newspaper headline about the “scandal of naked prisoners at Abu Grahaib” then we see a torture victim of Sadaam Hussein tell us, “I wish I was a prisoner being tortured by the Americans. I would love to have my clothes taken off by a woman who then plays with my penis.” A bit profane, but powerful in revealing how ludicrous they see our “scandal” to be. Yeah, Arabs and Baathists chop off fingers, rape, mutilate, put living people through plastic shredders, drag bodies through the streets and light them on fire. But those Americans, now they are REALLY EVIL, they humiliate and mock their captives. Oooookay. And then another Iraqi is shocked. He says with admiration, “I have never seen a powerful country apologize” like the US did about Abu Grahaib. Another headline from the ludicrous NY Times: “Iraq is alive, but the dream is dead.” Meanwhile we see a graduation at Baghdad University that occurred at this same time and we see the students partying and expressing their hopes for the country now that Sadaam is gone, and how they want to become doctors, lawyers and engineers to rebuild their country. We see the agenda driven headline “Quagmire in Iraq” obviously trying to make this look like another Vietnam (What, do they think we are that stupid?). And we see pictures of the people at that time expressing their hope for a new Iraq because of the American liberation. We see people expressing their contempt for the insurgent terrorists and many of them explain that the insurgents are NOT Iraqis, but Arabs and others who are terrorizing because they do not want democracy, while the Iraqis do want it. Another Iraqi tells us “That’s why these countries are sending terrorists into Iraq, because democracy will make it a better place. We will question our leaders and have a voice.” A startling revelation not reported on in the Media. Another startling revelation that is shown in a casual matter-of-fact way by an Iraqi citizen that Sadaam helped provide houses for Al Qaeda terrorists. We see the horrifying photographs and physical remains being dug up of the murder of 182,000 Kurds in Anfal in 1988 by Sadaam’s chemical Weapons of Mass Destruction. Yeah, you heard me, I said “WMD,” you know, those WMDs that aren’t supposed to exist anywhere. EVEN THOUGH HE USED THEM ON HIS OWN PEOPLE for the whole world to see! Recent estimates from different human rights organizations put the murder toll by Sadaam to be as high as 6 MILLION. And I was listening to a Hollywood actor the other day claiming that an alleged 100,000 civilian casualties in Iraq may be more than Sadaam killed. Yeah, real close to that paltry 6 million. And of course, they don’t tell you that most of the civilian casualties are from the insurgent terrorists. A line that made me cry: “It was the Americans that freed us.” A poetic line that made me cry: “Sadaam stole our lives. He stole love and beauty.” Another tortured Iraqi tells us, “There are animal rights organizations in France that protest animal rights. How come they don’t protest for our rights?” We hear about the Iraq soccer team being tortured by the vile demonic Uday if they lost a game. We see only snippets of terrorist recruiting films and Sadaam’s torture films. In fact, that is my one complaint about the film. They should have shown FAR MORE of Sadaam’s torture films. The world needs to see this stuff. Covering it up just hides the truth, all because we have weak stomachs and don’t want to be grossed out by such “violent imagery.” Yeah, well, what do you think etched the evil of the Holocaust into our minds, but the myriads of films showing the concentration camp casualties and tortures. Another preposterous A.P. News headline: “Muslims fear Christian War against Islam” while we see the people themselves actually expressing connection with and gratitude for Christians. I was at a screening where the producers answered questions and they claimed that the movie is a representative sampling of their footage that accurately reflects the hopes and dreams of the Iraqi people themselves. I respect these guys. When accused of being biased and not telling the “whole story” which should include conspiracy theories about Bush and oil, they responded by explaining, “Look, we know there are other perspectives out there, and other issues important to the whole picture. But we are filmmakers, not politicians and we were just trying to get the one viewpoint out that has NOT been shown, the Iraqi people themselves! We may not agree with everything these people say, or even be able to confirm it all, but it represents THEIR view, and that’s the point.” The producer told a great story that captures the truth of bias. He said that when they saw a news reporter out on the streets, they were all covered with body armor and flanked by an armed security team, sticking this microphone into the face of some quivering Iraqi. Well of course, the Iraqi is not going to be himself. But this movie places the camera in the hands of the people away from outside influences intruding in on them. It is their most natural responses. Of course, having a camera does add some unnaturalness to it, but the point is that it is more truly what THEY really think in their own environment. The film DOES show some negative footage of Iraqis who are not happy. But the dominant part of them expressed an understanding that seems to elude most Americans, namely that the problems that they have now ARE NOTHING compared to what they’ve had for years and years, and that they understand that it TAKES TIME to work their way into a democracy. They thank God America saved them from Sadaam. They plead for us not to leave until they can get their democracy in place. That we shouldn’t leave them to be overrun by terrorists like we did in after the first Gulf War. Amen.

Fahrenheit 9/11

Not Recommended at all. I remember when I was in college a friend of mine had a sound design class where his assignment was to take a president’s speech and edit it to make him say something different. So my friend got Richard Nixon to say “Peas porridge hot, peas porridge cold, peas porridge in the pot, nine days old.” It was all rather hilarious, but makes the ominous illustration that editors can take actual footage and make it say the opposite of what actually happened. Look, no matter what political party you belong to, this movie is such dishonest filmmaking, only a Nazi could like it. Goebbels would be proud. This movie proves the truth that the camera DOES lie. Of course, cameras don’t lie, people lie – with cameras. But one thing is for sure, this movie is the ultimate demonstration that what you do NOT show is often more important than what you DO show. When Moore deals with 9/11, he shows a black screen, and we do not see the planes, hitting the Towers, we just hear sounds. A black screen that reminded me of Communist ministry of information blacking out important information to its citizens. So he does not show the planes hitting the towers, he does not show Daniel Pearl and the others being beheaded, he does not show the rape and torture films of Saddam, or the dragging of US soldiers through the streets, but he does show the US bombings (so only the US appears the aggressor – he does show Iraqis dragging two bodies, but they are so charred that we cannot see if they are American soldiers or Sunnis or Shi’ites). He shows the Bush administration getting make up for TV, as if they are all staged actors, but he does not show ALL the administrations from Kennedy up to Clinton, who also did THE SAME THING. He shows some idiot US soldiers saying self-damning things, but he does not show the HUNDREDS OF THOUSANDS of good soldiers who don’t (thus giving the false impression that the military is a moronic monolith). He shows the soldier who lost both arms, as if to show the unjust suffering, but he does not show that SAME SOLDIER praising the US and supporting the war in Iraq, saying his sacrifice was tough, but worth it (You gotta see Michael Moore Hates America to see THAT interview), He shows select happy Iraq scenes before the invasion, but he does not show the torture chambers, rape chambers, gassed Kurdish villages, and police state violence on thousands of oppressed Iraqis before the invasion. He shows the obscure marginal sad Iraq scenes after the invasion, but he does not show the FAR MORE FREQUENT THOUSANDS of grateful Iraqis cheering America and thanking the soldiers for their liberation. He shows the US Orange and Red alerts after 9/11 as if it was ridiculous to believe that we were under actual danger of being attacked by Al Qaeda after 9/11 (imagine that absurd idea), yet then shows the complete lack of Oregonian police to guard the US shorelines, as if the US is irresponsible in not watching out for those sneaking terrorists who are going to drive their skiffs and fishing boats 3000 miles to invade our shores. Well, talk about flip flopping. Make up your mind, Michael, is the US a totalitarian regime using terrorist danger to control the people or is it an inefficient democratic beaucracy that is unaware of the continuing danger of terrorist threat? You can’t have it both ways. He shows a few bungling red tape bureaucratic snafus of the government in “infiltrating” useless peace groups and an old man’s life, but he does not show the hundreds of actual Al Qaeda and other terrorists that were rounded up by that same imperfect FBI, terrorists, some of who had been planning other attacks. And along with this same scam, he DOES NOT show how airports have been forced by racist special interest groups to body search little old ladies and congressman, in order to avoid “profiling” the actual description of the suspects: 99.999% Middle Eastern young males between the ages of 17 and 25. He shows ONLY Iraqi civilian casualties (as opposed to Iraqi soldiers), which were all unintended, as if this was the real intention or result of the bombing (how stupid do you think we are?), but he doesn’t tell you that the bombing shots he used were of legitimate military targets, NOT civilian targets. He shows only Britney Spears as the celebrity defending Bush, but doesn’t show the complete parade of idiot celebrities who were against Bush, like Christine Aquilera, Kim Basinger, Jessica Lange, the Dixie Chicks and FAR MORE other idiots than are for Bush. He makes fun of “non-countries” that joined the Coalition of the Willing, like Palau, Iceland, Romania, and Netherlands, but doesn’t seem to mention Poland, Britain, Italy, Turkey, the Czchec Republic, and others. What he doesn’t even seem to realize is his pompous arrogant devaluation of those countries he scoffs at as irrelevant. That would be like saying big fat white men’s opinions don’t count in politics. Ooops! Ah, poor Michael Moore is himself the big, fat stupid ugly American he despises. I guess you could say he suffers from self hatred or self-loathing. He shows dead and wounded US soldiers as if war casualties were somehow an argument against war? Imagine showing the millions of casualties of WWII as an argument that we should not have fought Hitler and Hirohito and let them take over the world. Yes, men must die to secure freedom. That’s how it works. It’s tragic, but reality. Now, you may make the argument that this war is not a just one, but to argue that war casualties make war unworth it is at the intelligence level of a kindergartner – maybe. He shows clips of Bush at goofy moments in response to other clips of serious news, as if this is Bush’s response to the news. Now, look, folks, even democrats who don’t like Bush should be ashamed of such bald-faced lying. It reminds me of the Nazi propaganda that would show the consummate Jew as a snarling greedy unkempt greasy animal, and then dissolve from a picture of a group of Jews to a group of rats. And I don’t use the word “lie” or “Nazi” lightly. When a man deliberately alters and changes so many elements in his editing in this way, it is the proof that he is DELIBERATELY and KNOWINGLY lying to promote his cause. Lie here doesn’t mean merely “false” it means deliberate LIE. Maybe Moore has a secret love affair with Nazism – okay, the truth is, he is in a ménage a trios with Stalinism and Nazism. I think Bush has done some STUPID things, but hate speech like that is not warranted. He shows the minority rebel attitudes against America by some Iraqis, as if this is the whole country’s reaction, but he doesn’t show you the majority larger hundreds of thousands of other Iraqis celebrating America’s overthrow of Saddam. He shows you the few US soldiers who disagree with the Iraq War, as if, hey, look, even the soldiers don’t agree with Bush. But he doesn’t show you that this is a fringe minority view (a mere one out of four) of soldiers, compared to the hundreds of thousands who support their president. He shows you the oil companies helping out in Iraq as if America wants to take over and control Iraqi oil. But he doesn’t show you that we never have taken over the oil at all, And he doesn’t show you that the countries that ACTUALLY DID make their choice for control of the oil in Iraq were France, China and Russia and the U.N. It’s not that America went to war for Iraq oil, it’s that France protested the war for Iraq oil. Et tu, Brutus? He shows only the boarded homes of Flint Michigan, as if it is a town of homeless people, but he doesn’t show you the entrepreneurs and hundreds of people making it along just fine in Flint, and all the newly built homes in that town. AND he doesn’t tell you that Flint IS NOT EVEN HIS HOME TOWN. Moore is actually from a nearby middle class suburb (But you can see all those facts in Michael Moore Hates America). Michael Moore is a fat cat capitalist in cahoots with the greedy corporations of Hollywood. He seems perfectly content in exploiting Al Jazeera propaganda footage of people complaining over bodies of dead children, but he doesn’t tell you Al Jazeera is known for taking footage of casualties from their own terrorist infighting and civil war and making it look like American responsibility. The list goes on and on. The lying is so thorough, that you can only classify his theory as The Big Lie. Boy, it’s one thing to be political, but quite another to be Nazi-like in one’s use of language. I suppose he also has a final solution for the Bush question. The only way to understand the depth of deception is to read the fantastic fact-documented article, “59 Deceits of Fahrenheit 9/11,” It addresses many of the biggest lies in the film, lie by lie with counter facts to show how he manipulated the truth. GO HERE: http://www.davekopel.com/Terror/Fiftysix-Deceits-in-Fahrenheit-911.htm