Stuck on You

Recommended. A Farrelly brothers comedy about a pair of conjoined twins (NOT Siamese! Conjoined!) played by Matt Damon and Greg Kinnear. For those concerned, this is probably the least offensive of the Farrelly brother movies, Me, Myself and Irene being the most offensive. It’s the story of these brothers who are total opposites in personality yet they find a harmony in sacrificial love for one another and the ability to work together as complimentary opposites. Matt gives up his freedom because he decided against the operation that would separate them. Why? Because he had most of the liver and that would jeopardize Greg’s life, so he chose his brother’s life over his freedom Wow, what sacrifice. Then Greg wants to become an actor in Hollywood and Matt is horrified since he has major stage fright. Not to mention the obvious impossibility of conjoined twins actually acting in movies. But of course, the impossible happens and Greg gets to costar with Cher in a TV show ( A wonderfully surprising self-lampooning by Cher as a snippy, self-obsessed, image obsessed, spoiled has-been superstar). Eventually, Greg decides to push for the separation operation because he sees that Matt is miserable in Hollywood and wants to go back to their small town. So Greg sacrifices and risks his safety so his brother can find his dreams since Greg got to find his. It’s all really rather touching and a great tale about brotherly love and self sacrifice for the happiness of others. It’s also about finding harmony in complimentarity, opposites can find interdependency as well as independence in a harmony, if we only compromise with giving love for one another. It’s about how true deformity and inhumanity lies in the Hollywood abuse of people and themselves. The people around these brothers are more disabled than they are. It’s ultimately about connectedness and interdependence, those things we all look for, but for which few are willing to pay the price. Also, what I love about the Farrelly brothers is that they use real people in their films who are otherwise discriminated against in Hollywood: the untouchables, the handicapped. Not just the actors playing handicapped, but actual handicapped actors playing roles. And they use them in loving ways without patronizing them. They address the ridicule that these precious people receive with a straight up honesty, but always have them rise above it with their own dignity. This is genuine and authentic human filmmaking. Tons of laughs and tons of beautiful humanity.