Hulu series about a dystopian world where infertility has become widespread, threatening the survival of the human race. A Christian theocracy has taken over and has enslaved the few fertile women as concubines for birthing children to the leaders—and to oppress women everywhere, because, well, that’s what Christianity is all about, don’t you know. Or something.
This won an Emmy for Drama Series. So I tried to watch it. I couldn’t get very far. It was an unending parade of Christophobic stereotypes, cliches and demonizations of Christianity. A litany of the fevered delusions and projections of left wing paranoia. But even worse: It was just bad storytelling.
It’s clear why this series is getting critical accolades. Not because it’s good. It’s terrible. But because it reflects the collective intolerance and bigotry of the Hollywood elite.
The storytelling here was more preachy, more juvenile in it’s exaggeration, more ridiculously melodramatic than any Christian movie I have ever seen. And if you know me, you know I do not like preachy Christian movies.
It was like watching a sincere yet laughable horror movie from the 1950s with every shot a “scary” melodramatic exaggeration of ugly lighting, ominous music, dour acting and extreme dialogue. And more ominously ominous music. Dr. Evil has nothing on this.
The Christian leaders in this story are of course fascists with Nazi-like traits, rituals and decorations. Their barren wives are begrudging enablers of the evil patriarchy who abuse the handmaidens out of their resentment, thus damning Christian women as traitors to their gender.
The heroine is a newly enslaved handmaiden who is taught that pollution caused the worldwide infertility, which is God’s punishment. In the first episode we see that the Christians execute Catholic priests, abortionists and gays. So, it is Evangelical Christianity who is the real villain here.
Or at least Atwood’s bizarre twisted misinterpretation of what Evangelical Christianity is. Continue reading