In the Heart of the Sea: Greenpeace Whale Rights Blubbering

Posted on December 14, 2015December 15, 2015 by admin

The so-called “true story” behind the fictional tale of Melville’s classic Moby Dick. White whale crashes evil human fishing party and hunts them down to teach them animal rights and earth worship.

Well, he’s at it again. Christophobe Ron Howard, the guy who made the hate hit piece on Jesus (and the Roman Catholics), The DaVinci Code, has just offered up a new sacrifice to the earth goddess, Gaia.

Howard and his writers bookends his tale with young Herman Melville tracking down a survivor of the whaleship Essex that was destroyed by a huge white whale, for the sake of research for his new novel. The monster whale is full of crusty sea barnacles and whaling wounds and has a preternatural ability to attack whaling ships out in the deep sea, thousands of miles from land.

The survivor being interviewed is a drunk who can’t live with himself because of the “abominations” the survivors had done. He tells his scary story and we see it all in flashback.

So, obviously, the whalers go awhaling, the white whale shows up and destroys their ship, casting them adrift, which forces them to become cannibals and thus shows them how evil it is to eat meat. But the privileged white “big Nemo” also shadows their lifeboats like an angry deity waiting to teach them a lesson.

And that is what the metaphor is all about. The white whale in this story represents the revenge of the animal world upon evil mankind that is slaughtering them for their oil. For whale oil fuels the lamps of the evil white Europeans.

This is earth worship versus the Judeo-Christian worldview, quite literally with a vengeance.

Before they launch off to their whaling expedition, we hear Christians praying that God will provide his blessings upon their industrial revolution (Of course, a demonized villain in Hollywood). So Christianity is One with the exploitation of energy resources to the storytellers.

At one point in the story, the captain, a young inexperienced blueblood jerk, tells the hero of the story that man is created as the pinnacle of creation and it is our calling by God to take dominion of the earth and bend nature to our wills. So, much like the idolatrous Noah movie, the two worldviews in conflict here are the Judeo-Christian ethic of dominion and the environmentalist/animal rights/earth worshipping ethic of pristine nature, unsullied by human interference. Or more accurately, human exceptionalism versus anti-humanism.

Can you guess which one wins?

Of course, in the end, the hero of the story, who became obsessed with killing the white whale, finally has his “come to Gaia” moment and refrains from his last chance to harpoon the leviathan. And of course, the ever-loving monster, who is apparently a fair and square kind of mammal, stops attacking them. You see? The poor whales just want to be left alone. They are more moral than us, and can teach us a lesson.

I am amused by how earth worshippers like to humanize animals (and nature) as if they are equally moral sentient creatures. That is because they really do believe that humans are NOT created in God’s image as the pinnacle of creation. But notice, they have to HUMANIZE the animals, because the reality is more like the documentary Grizzly Man, where the naïve animal rights activist gets eaten by the very bears he is deluded into thinking that he is the guardian of. Watch Grizzly Man. THAT is the ironic truth, folks.

At one point, the storyteller is talking of whale oil and he simply calls it, “oil,” an obvious connection with the so-called “evil” of fossil fuels. In fact, at the end, he says something like, “I hear they have found oil in the ground in the United States. Imagine that.” So the evils of the industrial revolution will move on from whale oil to crude oil.

Oh, Lordy, will man ever stop utilizing the earth for his own greedy survival? Why don’t we just lay down our energy needs and die? Let that pristine nature take over and eat us all in the wonderful circle of life that is survival of the fittest? It’s okay for sharks to eat whales, but we humans aren’t allowed to? After all, bending nature to benefit mankind is speciest, right?

Whale sh*t.

Earth worship has been eeking into Hollywood movies for some time now and it is going to be more ubiquitious as a theme. The rising god of Hollywood is the earth, and if the ancient history of earth worship is anything to go by, these idolaters are violent and will not stop until they have enslaved or destroyed everybody. (This same antihuman theme of the earth as a divine being “getting revenge” on humans is in The Happening. But in other movies, it’s localized in a substitute deity, like aliens in The Day the Earth Stood Still, or in a subverted Biblical Creator in Noah, Evan Almighty, and others)

Hollywood social justice warriors rant about how evil oil is, while burning a thousand times what normal people use, and spewing out more carbon emissions than anyone else with their huge mansions and private jets. It’s more than hypocritical. It’s despicable. Don’t get me wrong, I have no problem with riches. And I don’t believe carbon is pollution (if you do, you are a science denier). But these mostly white, all privileged, aristocratic fascists love to force others to suffer while they live “above the morality” of the plebeian class. Where is Bernie Sanders when you need him?

Environmentalist policies are already murdering poor black people by the MILLIONS in third world countries, precisely by keeping oil from them (as well as other policies). Earth worshippers believe in saving the whales, but let those poor people of color die to maintain their crusading fanaticism. Paul Driessen is blowing the whistle on this genocidal environmentalism. By liberal standards of outcome distribution, environmentalism is racist to the core.

It is the Judeo-Christian ethic of dominion that desacralized nature and allowed man to rise up out of the depraved self-destructive barbarism of earth worship and other idolatries. It allowed us to harness nature for the good of mankind, which resulted in science and technology that advanced civilization and brought about everything that the earth worshippers rely upon, from medicine to travel to safe living to their smart phones. Check out the Moral Case for Fossil Fuels and get educated. The computer screen you are reading this on is because of fossil fuels.

And no, I am not now, nor have I ever been a card carrying member of the oil cartel, nor have I ever been knowingly paid by oil interests (but if they want to pay me for telling the truth, I’ll gladly take it).

But, boy, there sure are billions and billions of dollars in the pockets of those paid by Big Green and Big Government to deny science and suppress the facts (There are many reputable scientists and researchers who are exposing this Big Green corruption: Climate Change Dispatch, Climate Audit, Dr. Roy Spencer, Science and Public Policy Institute, Climate Depot, Climate Etc, Watts Up With That? And others.

Cornwall Alliance is the best in providing a Judeo-Christian approach to a balanced proper conservation of the environment with human interests.

Yes, we must be careful to regulate our energy usage and waste. But don’t be a fool. Energy consumption is not inherently evil, it is scientifically axiomatic to existence. All living systems create waste as a by-product of the conversion of energy into life. So the only way for us to achieve the ultimate end of a pristine nature untouched by human waste is of course to extinguish all of humanity.

Of Myth and the Bible: Part 10 The Lion Men of Moab

Posted on December 9, 2015 by admin

Another strange legendary creature shows up in the Bible that made it into my novel David Ascendant: Lion Men of Moab. In Hebrew, they are called Ariels. They are kind of like werewolves – but more like werelions.

In 2 Sam. 23:20 Benaiah, a valiant warrior, strikes down “two ariels of Moab.” The word “ariel” is a transliteration because scholars are not sure what it means. The King James and Young’s Bibles translate these opponents of Benaiah as “lion-like men of Moab,” which captures the strangeness of the creatures but fails to express the religious or supernatural connotation of the word.

Some translators translate the phrase “ariels of Moab” as “sons of Ariel of Moab” after the unlikely LXX Greek translation,[1] or “lion-like heroes of Moab.” But there is no Hebrew word for “sons of” in the sentence, no indication of ariel being a personal name, and no Hebrew word for warrior used in the sentence. The Hebrew word for mighty warrior, gibborim, is used frequently throughout David’s narrative and that word is not here. The text says “two ariels of Moab.”

Some suggest it may be a reference to killing two lions. But the very next sentence states that Benaiah, the killer of the ariels, then killed a lion in a pit.

2 Samuel 23:20
And Benaiah the son of Jehoiada was a valiant man of Kabzeel, a doer of great deeds. He struck down two ariels of Moab. He also went down and struck down a lion in a pit on a day when snow had fallen.

The Hebrew word for “lion” is not ariel, but aryeh. Adding the suffix “el” to the word adds a religious dimension of meaning that transcends mere lions. This is why Hebrew lexicons explain the most likely meaning as “lion of god.”^[2] El was not merely a name used of Yahweh in the Bible, it was the name of the figurehead deity of the Canaanite pantheon as well as a general reference to deity in Mesopotamia.[3]In 1 Chronicles, some additional warriors from Gad join David when he is at Ziklag, and they are described exactly like ariels as “lion-faced warriors” with preternatural skills:

1 Chronicles 12:8
⁸ From the Gadites there went over to David at the stronghold in the wilderness mighty and experienced warriors, expert with shield and spear, whose faces were like the faces of lions and who were swift as gazelles upon the mountains:

Though animal-like abilities is a common metaphor used to describe extraordinary warrior skills, having faces like the faces of lions could mean more in light of the existence of these ariels, or Lion Men of Moab. Since the tribal location of Gad was precisely all the land of Moab across the Jordan, I decided to make the Gadite lion-faced men be those very Lion Men of Moab who converted to Israel and joined David. Two of these hybrid warriors then become the two traitors who face down Benaiah.

Psalm 57 was written when David was on the run and hiding out in a cave from Saul’s bounty hunters. Verse 4 says, “My soul is in the midst of lions; I lie down amid fiery beasts— the children of man, whose teeth are spears and arrows, whose tongues are sharp swords.” Though a surface reading of this text appears to be an obvious figurative expression of David’s enemies, scholar B. Mazar suggests it may be a reference to a mercenary military corps of archers whose emblem was the lion-goddess.[4] Could they have come from Moab?

So what if these ariels are hybrid creatures reminiscent of the Watchers’ miscegenation in Genesis 6? What if they are elite warriors with hairy bodies and lion-like faces that only one of David’s own gibborim Mighty Men could slay? After all, the exploits of those Mighty Men in the passages we have been looking at are supernatural slayings of giants and hundreds of soldiers by single warriors. If these ariels were mere warriors, then the feat accomplished by Benaiah in slaying them would be the only one in the entire passage that was banal and without significance.

These ariels were something more than men, something supernatural.The ancient understanding of ariel as a lion-like hybrid humanoid finds support in a later Nag Hammadi text that speaks of a gnostic deity, Yaldabaoth, who was an ariel (spelled slightly different): “Ariael is what the perfect call him, for he was like a lion.”^[5]

The Dictionary of Deities and Demons in the Bible says of this possible religious mythical interpretation of ariel:

This interpretation could be supported by a recently found bronze-silver figurine from Tell Abū el-Kharaz in Transjordan representing, according to the excavator’s opinion a male lion-faced warrior(-god?), which can be viewed, because of its appearance and its attributes, as a male pendant.^[6]

The author then reveals that the word ariel shows up in the Mesha Stele, a Moabite stone inscription not too long after the time of King David.[7] These are the very Moabites from which 2 Samuel says the ariels come. The line of text in question could be translated, “the lion figure [ariel] of their beloved (god)’ which was dragged before Chemosh after the fall of the Israelite city.”^[8]

Bible scholar B. Mazar notes this Mesha Stele connection and adds that the word ariel became a synonym for the lion-headed cherubim at the base of kingly thrones.[9]

So in David Ascendant, I created a special unit of these Ariels, lion-headed warriors of Moab, to explore that supernatural dimension with imagination that fit the thread of the cosmic War of the Seed.

The ancient Book of Jasher was a source text for both Joshua and David’s stories (Josh. 10:13, 2 Sam. 1:18). The extant version we have of the Book of Jasher, though dubitable, tells of two different stories that contain hybrid creatures that may be similar to the lion-men of Moab or the satyrs of Banias. In Jasher 36:29-35 we read of Anah, one of the sons of Seir the Horite, (remember the Seirites’ connection to satyrs) during the days of Abraham. There is a large storm that the writer says caused a group of about 120 “great and terrible animals” to come out of the forest by the seashore to be witnessed by Anah feeding his asses.

Jasher 36:29-35
And those animals, from their middle downward, were in the shape of the children of men, and from their middle upward, some had the likeness of bears, and some the likeness of the keephas, with tails behind them from between their shoulders reaching down to the earth, like the tails of the ducheephath, and these animals came and mounted and rode upon these asses, and led them away, and they went away unto this day.[10]

Another chapter in Jasher tells the story during the youth of Balaam son of Beor, about a strange animal that was devouring the cattle of the people of Chittim. A man named Zepho went in search of this creature and…

Jasher 61:15
he came into the cave and he looked and behold, a large animal was devouring the ox; from the middle upward it resembled a man, and from the middle downward it resembled an animal, and Zepho rose up against the animal and slew it with his swords.[11]

Were these creatures mere legends or were they genetic hybrid remnants of the miscegenation of the Watchers?

Read about the Lion Men of Moab in the novel, David Ascendant, Book 7 of Chronicles of the Nephilim.

[1] “Although the LXX interferes seriously in the text, presupposing a double haplography in the Hebrew text, this reading points into the right direction. As a matter of fact NKH Hiphʿil in the historical books never means to strike upon an object (cf. also E. Jenni, ErIs 24 [1993] 114–118), but to strike down, i.e. to kill somebody… Consequently, Ariel here designates some kind of person, best translated as ‘lion of God’: S. Münger, “Ariel,” ed. Karel van der Toorn, Bob Becking, and Pieter W. van der Horst, Dictionary of Deities and Demons in the Bible (Leiden; Boston; Köln; Grand Rapids, MI; Cambridge: Brill; Eerdmans, 1999), 88–89.

^[2] Francis Brown, Samuel Rolles Driver and Charles Augustus Briggs, Enhanced Brown-Driver-Briggs Hebrew and English Lexicon, electronic ed., 72 (Oak Harbor, WA: Logos Research Systems, 2000).

[3] W. Herrmann, “El,” ed. Karel van der Toorn, Bob Becking, and Pieter W. van der Horst, Dictionary of Deities and Demons in the Bible (Leiden; Boston; Köln; Grand Rapids, MI; Cambridge: Brill; Eerdmans, 1999), 275.

[4] B. Mazar, “The Military Élite of King David,” Vetus Testamentum, Vol. 13, Fasc. 3 (Jul., 1963), 312.

^[5] James McConkey Robinson, Richard Smith and Coptic Gnostic Library Project, The Nag Hammadi Library in English, 4th rev. ed., 173 (Leiden; New York: E. J. Brill, 1996).

^[6] S. Münger, “Ariel,” ed. Karel van der Toorn, Bob Becking, and Pieter W. van der Horst, Dictionary of Deities and Demons in the Bible (Leiden; Boston; Köln; Grand Rapids, MI; Cambridge: Brill; Eerdmans, 1999), 89. Münger refers to the Annual of the Department of Antiquities of Jordan (P. M. Fischer, ADAJ 40 [1996] 101–110, esp. 103–104 with figs. 3a-b).

[7] 850 B.C.

^[8] S. Münger, DDD, 89. Pritchard’s Ancient Near Eastern Texts Relating to the Old Testament translates ariel as the name of the king of the city, and Hallo’s Context of Scripture translates it as the more unlikely object, fire hearth. James Bennett Pritchard, ed., The Ancient Near East an Anthology of Texts and Pictures, 3rd ed. with Supplement (Princeton: Princeton University Press, 1969), 320; William W. Hallo and K. Lawson Younger, Context of Scripture (Leiden; Boston: Brill, 2000), 137.

[9] B. Mazar, “The Military Élite of King David,” Vetus Testamentum, Vol. 13, Fasc. 3 (Jul., 1963), pp. 316.

[10] Johnson, Ken (2012-01-09). Ancient Book Of Jasher (p. 129). Kindle Edition.

[11] Johnson, Book Of Jasher (p. 223).

2 Days Left for 50% Off of Godawa Lectures on Faith, Worldviews, Movies and Storytelling

Posted on December 3, 2015 by admin

From now until tomorrow, December 4, you get 50% off your purchase of all Godawa’s teachings on the Nephilim, Enoch, Horror, Storytelling, Hollywood and the Bible on MP3 audio and Quicktime video.

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This discount only applies to digital download MP3s and Quicktime videos sold directly through the Godawa.com store. It does not apply to any of Brian Godawa’s books, lectures or movies that are purchased or rented at Amazon.com on Instant Video, Kindle, paperback or audiobook.

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50% Off Audio & Video Lectures on Nephilim, Enoch, the Bible, Storytelling & More

Posted on November 28, 2015 by admin

From now until December 4, you get 50% off your purchase of all Godawa’s teachings on the Nephilim, Enoch, Horror, Storytelling, Hollywood and the Bible on MP3 audio and Quicktime video.

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50% OFF All Godawa Digital Teachings. Black November Sale!

Posted on November 24, 2015 by admin

From now until December 4, you get 50% off your purchase of all Godawa’s teachings on the Nephilim, Enoch, Horror, Storytelling, Hollywood and the Bible on MP3 audio and Quicktime video.

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Saints and Strangers: Fantastic Mini-Series on the Pilgrims. No P.C. B.S.

Posted on November 18, 2015November 18, 2015 by admin

The story of the Mayflower’s arrival in America in 1620 and the civilization that began from it.

I saw an advance screening of the dramatic narrative mini-series called Saints and Strangers. If you want to bring a fresh and inspirational understanding to your Thanksgiving holiday, then you must catch this two part series starting November 22 on the National Geographic Channel. It was informative, riveting, and truthful. I teared up with encouragement at some of the moments of faith and righteousness depicted in this film.

Leave it to South Africa and unknown writers and directors to create a faithful, fair and nuanced portrayal of the origins of American civilization, because Hollywood probably couldn’t do it without a hate spin against Judeo-Christianity and western civilization.

As it is, this story is rich and layered with flawed humanity and high aspirations of transcendence and righteousness. About 130 souls arrive on the shores of the New World in the Mayflower. Not all were religious separatists seeking asylum from religious oppression in England. There were others more secular, yet governed by Judeo-Christian notions of civilization. So the story is rife with dramatic tension between the believers and unbelievers who debate quite openly about their understanding of God and divine providence. Not the religious fanatics you were taught in school and college.

For those not familiar with the history, Saints and Strangers charts their journey from the ocean trip to their landing, settling, meeting the indigenous tribes, facing near obliteration by starvation, rescue by Squanto, as well as the fears, conflicts, and reconciliation with the Native American tribes.

First off, the portrayal of faith in this story is fair and truthful, but also honest and nuanced. The saints certainly start out sounding like strangers to our modern ears with their dedication to Christian values. And they are not perfect nor sinless. But the depiction of their fears, failures and moral struggles maintains the dignity of their faith thoughout the entire story.

They steal corn from one of the native tribes’ storage areas, which brings about hostility. But they did so understandably from starvation and the need to survive. The Pilgrims later apologize to the tribe and even offer restoration for their behavior. This isn’t modern Leftist reparations of theft and forced redistribution of distant ancestors’ wealth. This is Biblical restoration of taking responsibility for one’s own actions and repaying those directly affected by an offense.

William Bradford, the longtime governor of the colony, was amazingly portrayed with integrity as a godly man of faith who sought God’s righteousness as well as peace with the native tribes. But he is not condescending of the unbelievers in their group or the locals, nor is he self-righteous. He struggles over the need to defend themselves against savage attacks, and the need to apply corporal punishment to maintain authority and civilization. And all in submission to God’s ways. He chooses the right path most of the time, but not without its price on such a righteous soul. I have not seen such a truthful portrayal of a good and godly yet imperfect man in a long time. Because of Bradford’s Christian charity in tending to the native wounded after a battle (against the wishes of the secularists), that tribe finally decides to accept peace. Bradford is no pacifist, but he is no warmonger. He is a godly man who struggles to do what is right. But what is right is not always amenable to secular or pagan understanding.

This story is not a “whitewashing” nor is it a hit piece. And that’s what makes the faith in the story so powerful. Because it faces reality, admits weakness, but ultimately elevates the value of faith in God and the need for transcendence.

The portrayal of this single Christian character, Bradford, as flawed but ultimately heroic and just is a truly righteous feat of originality in an American story world that seems dominated by corrupt anti-heroes, nihilist darkness and Christophobia. Since Christians aren’t allowed representation as a Hollywood victim group, we’ll just have to make our voice known by supporting shows like this.

Probably the most powerful moment for me captured the essence of these pilgrims. At a particular time when the settlers are starving (eventually, they will humbly receive help from Squanto about agriculture), one of the men says to a woman, that with the death of one of the best men, Winslow, his purpose has died with him. The woman schools the faithless man, (and I quote) “Not so. It is the service of the divine that gives us both purpose and salvation. I am alone, but I have the Lord, and so I have purpose. Everyone else can vanish in an instant, but He is constant.”

WOW.

I have chills writing that. And I cried when I watched it. Especially in its brutal context that we have been experiencing with these courageous souls.

But there were many perspectives in this fledgling community, and all views were given voice in this story in a fair way, as they all struggled to survive, Christian and secularist alike. But also the native tribes…

Anyone acquainted with real history and the truth of human nature will know that the Native American tribes were just as human all too human as everyone else. And the honest portrayal of the tribes in this story is no less honest than the portrayal of the Christians and Europeans. In a way, Saints and Strangers is a brilliant title because everyone in the story considers themselves the saints and the others to be strangers, including the pagans and secularists.

The tribes understandably react with hostility when the westerners steal their corn, but they too have their own failures of bigotry and self-righteousness in the process. Their ethic is power and while they school the Pilgrims in survival, the Pilgrims school them in grace. We are given an inside view of the politics of the tribes who are jockeying for status, manipulative, power hungry and even just as “self-superior” as every other human tribe on earth. There are good tribesmen and bad tribesmen, just as there are good westerners and bad westerners. Heck, some of natives are actually complex real humans who don’t fall into simple categories. But this isn’t moral equivalency either. Some tribes were more peaceful and others really were savages. All this is depicted fairly and accurately in Saints and Strangers.

This is not the Left Wing bigotry and anti-colonialist neo-Marxist agenda that divides the New World into the black and white categories of Native/pagan: Good, European/Judeo-Christian: Bad.

There is a moment when one of the Indians mentions that this is “their land,” as if they own it because they were there first. But this view isn’t validated in the story. It’s fair to depict that view because some no doubt believed it (even though the Native Americans lacked a substantial view of land ownership), but it certainly has no support from an evolutionary worldview of the Great Chain of Being and survival of the fittest. And without the Christian God, “first come = ownership” remains an unsupportable arbitrary claim of power. Without a true transcendent standard, there is no such thing as “ownership,” there is only the Will to Power.

But I digress philosophically.

Squanto, because of his peculiar journey of being kidnapped, enslaved, but then redeemed by the “white man,” is a prime influence on communication between the strangers. Of all men, he would have been most likely to hate the European crackers, but he does not. He brings them together. Yet, even he is depicted as having questionable motives at times, a complex character, more like real history than legend. It is here that multiculturalists will find their hero, as if Squanto represents the reconciliation through non-judgmental unity with other cultures. But I see him more as a Christian convert who has encountered a superior God and civilization and seeks to keep his people from being destroyed by their own backwardness and ignorance.

If typical “Hollywood” types would have made this picture, the Pilgrims would have been Westboro Baptist colonialist imperialists, Indian killers who came to achieve genocide with disease, and take the land away from the Native Americans who were peace-loving environmentalists at one with nature and superior to the barbarism of western Judeo-Christian culture. This historical moment would be a microcosm of the source of our own modern day polarity of separation and hatred and violence, with our only hope being a return to the pagan earth god.

Thank God for the South Africans.

One thing not made clear in the story is that the “Separatists” were not people who withdrew from society because of religious fear of the “other.” They were called Separatists because they believed in their right to worship separately from the Church of England. That is a subtle but very important difference that modern day anti-religious bigots do not grasp. Their “separatism” was for religious freedom, not moral self-righteousness.

Despite all my praise for the depiction of Christianity in this story, there is a voice for the secular multiculturalist as well. The character who changes the most in the story is the secular Stephen Hopkins, who starts out a selfish greedy exploiter, but ends up apologizing to the natives, and regretting “taking their land, stepping on their gods, and glorifying ours.” He even gives the standard moral equivalency line, “Whose to say who the savages are. I used to see black and white, now everything is gray.” But that’s okay. I only ask for a fair portrayal of Christianity within that complex world of views. Life isn’t always black and white, and there is some truth in the claim that we all share the same fallen nature within the right context. I think this story provides that proper context because in the end, it is the Christian values of humility, respect for law and authority, grace, and redemption that bring about the salvation and reconciliation within and between the communities.

Of Myth and the Bible – Part 9: Flying Fiery Serpents

Posted on November 12, 2015 by admin

In my novel Joshua Valiant I tell the infamous story of Nehushtan, the bronze serpent, from Numbers 21. As Moses leads the people of Israel through the Negeb desert on their way to enter the Transjordan, the Israelites grumble and complain yet again about their lack of food and water. Yahweh responds by sending serpents to punish them.

Numbers 21:6–9
Then the Lord sent fiery serpents among the people, and they bit the people, so that many people of Israel died. ⁷ And the people came to Moses and said, “We have sinned, for we have spoken against the Lord and against you. Pray to the Lord, that he take away the serpents from us.” So Moses prayed for the people. ⁸ And the Lord said to Moses, “Make a fiery serpent and set it on a pole, and everyone who is bitten, when he sees it, shall live.” ⁹ So Moses made a bronze serpent and set it on a pole. And if a serpent bit anyone, he would look at the bronze serpent and live.

The Hebrew word for “fiery serpents” used in this text is seraph, which is the same word used for the winged serpentine guardians of Yahweh’s throne in passages like Isaiah 6:2.[1] There are several different Hebrew words that can be used for serpents, so the choice of this word here should clue us into the deliberations of the writer. While the notion of “fiery” can refer to the venomous sting of a desert snake such as a viper or cobra, there may be more going on here than a mere poetic description of snake bites.

The picture of seraph snakes having wings shows up in two other passages from Isaiah.

Isaiah 14:29
²⁹ Rejoice not, O Philistia, all of you, that the rod that struck you is broken, for from the serpent’s root will come forth an adder, and its fruit will be a flying fiery serpent.

Isaiah 30:6–7
⁶ An oracle on the beasts of the Negeb. Through a land of trouble and anguish, from where come the lioness and the lion, the adder and the flying fiery serpent, they carry their riches on the backs of donkeys, and their treasures on the humps of camels, to a people that cannot profit them. ⁷ Egypt’s help is worthless and empty; therefore I have called her “Rahab who sits still.”

Both of these prophecies against Philistia and Egypt respectively use the idea of a “flying fiery serpent” as a poetic description of the evil or dangerous nature of those nations. Though they are not required to be literal existing creatures for the prophecy to be legitimate, they nevertheless use the same Hebrew reference to fiery serpents that was used in the more historical passage of Numbers describing the “fiery serpents.”

Additionally, the Isaiah 30 passage describes these flying fiery serpents as the beasts of the Negeb, the same location for the fiery serpents of Numbers 21.

Jacob Milgrom argues that the bronze or copper snake that Moses put on the pole was a winged serpent. He concludes this from the link of the Hebrew seraph to the Egyptian uraeus serpent.

Egypt is the home for images of winged serpents. For example, the arms on the throne of Tutankhamen consist of two wings of a four-winged snake (uraeus), which rise vertically from the back of the seat. Indeed, the erect cobra, or uraeus, standing on its coil is the symbol of royalty for the pharaoh and the gods throughout Egyptian history. Winged uraei dating from the Canaanite period have been found, proving that the image of the winged serpent was well known in ancient Israel.^{^[2]}

Scholar Karen Randolph Joines adds more to the Egyptian origin of this motif, by explaining that the usage of serpent images to defend against snakes was also an exclusively Egyptian notion without evidence in Canaan or Mesopotamia.[3]
But the important element of these snakes being flying serpents or even dragons with mythical background is reaffirmed in highly respected lexicons such as the Brown, Driver, Briggs Hebrew Lexicon.[4]

The final clause in Isaiah 30:7 likening Egypt’s punishment to the sea dragon Rahab lying dead in the desert is a further mythical serpentine connection, as the sea dragon represented chaos in the ancient Middle East.[5]

But the Bible and Egypt are not the only places where we read of flying serpents in the desert. Hans Wildeberger points out historical Assyrian king Esarhaddon’s description of flying serpents in his tenth campaign to Egypt in the seventh century B.C.

“A distance of 4 double-hours I marched over a territory covered with alum and mûṣu[-stone]. A distance of 4 double-hours in a journey of 2 days (there were) two-headed serpents [whose attack] (spelled) death—but I trampled (upon them) and marched on. A distance of 4 double-hours in a journey of 2 days (there were) green [animals] [Tr.: Borger: “serpents”] whose wings were batting. A distance of 4 double-hours in a journey of 2 days…”^{^[6]}

The Greek historian Herodotus wrote of “sacred” winged serpents and their connection to Egypt in his Histories:

There is a place in Arabia not far from the town of Buto where I went to learn about the winged serpents. When I arrived there, I saw innumerable bones and backbones of serpents… This place, where the backbones lay scattered, is where a narrow mountain pass opens into a great plain, which adjoins the plain of Egypt. Winged serpents are said to fly from Arabia at the beginning of spring, making for Egypt… The serpents are like water-snakes. Their wings are not feathered but very like the wings of a bat. I have now said enough concerning creatures that are sacred.[7]

The notion of flying serpents in the Bible as mythical versus historical is certainly debated among scholars, but this debate gives certain warrant to the imaginative usage of winged flying serpents appearing in Chronicles of the Nephilim.[8]

[1] Timothy R. Ashley, The Book of Numbers, The New International Commentary on the Old Testament (Grand Rapids, MI: Wm. B. Eerdmans Publishing Co., 1993), 404–405.

^{^[2]} Jacob Milgrom, Numbers, The JPS Torah Commentary (Philadelphia: Jewish Publication Society, 1990), 459.

[3] Karen Randolph Joines, “The Bronze Serpent in the Israelite Cult,” Journal of Biblical Literature, Vol. 87, No. 3 (Sep., 1968), 251.

[4] Francis Brown, Samuel Rolles Driver, and Charles Augustus Briggs, Enhanced Brown-Driver-Briggs Hebrew and English Lexicon (Oak Harbor, WA: Logos Research Systems, 2000), 977. Wilhelm Gesenius and Samuel Prideaux Tregelles, Gesenius’ Hebrew and Chaldee Lexicon to the Old Testament Scriptures(Bellingham, WA: Logos Bible Software, 2003), 795. See also, James Swanson, Dictionary of Biblical Languages with Semantic Domains : Hebrew (Old Testament) (Oak Harbor: Logos Research Systems, Inc., 1997).

[5] “This final clause uses the name Rahab (51:9; Job 9:13; 26:12; Ps 87:4; 89:11), the great sea monster from ancient Near Eastern legends, as a symbol for Egypt. The final cryptic clause, “Rahab the Do-Nothing” (NIV), interprets “Do-Nothing” as a sarcastic name for this supposedly powerful monster. Beuken prefers to interpret this as Rahab “who sits still,” meaning that Egypt will not come to assist Judah in her conflict with Assyria.¹³³ Another possible translation is Rahab the dead one. All these warnings argue for a policy that does not depend on Egypt. It makes no sense to trust in a political policy that is sure to fail. It is futile to follow a plan that God opposes.” Gary V. Smith, Isaiah 1–39, ed. E. Ray Clendenen, The New American Commentary (Nashville: B & H Publishing Group, 2007), 513.

^{^[6]} Hans Wildberger, A Continental Commentary: Isaiah 28-39(Minneapolis, MN: Fortress Press, 2002), 136. Quoting from James Bennett Pritchard, ed., The Ancient Near East an Anthology of Texts and Pictures, 3rd ed. with Supplement (Princeton: Princeton University Press, 1969), 292.

[7] Herodotus, Herodotus, With an English Translation by A. D. Godley, ed. A. D. Godley (Medford, MA: Harvard University Press, 1920) Histories 2:75.1-76.3. Thanks to my editor, Don Enevoldsen, for this reference.

[8] Scholars who acknowledge the evidence for mythical flying serpents, but argue against it: Wilhelm Gesenius and Samuel Prideaux Tregelles, Gesenius’ Hebrew and Chaldee Lexicon to the Old Testament Scriptures (Bellingham, WA: Logos Bible Software, 2003), 796; R. Laird Harris, “2292 שָׂרַף,” ed. R. Laird Harris, Gleason L. Archer Jr., and Bruce K. Waltke, Theological Wordbook of the Old Testament (Chicago: Moody Press, 1999), 884.

The Geography of Hades

Posted on November 5, 2015 by admin

In the last two posts (here and here), we looked at the ancient Greek picture of Hades, the abode of the dead, and what hell really was in Hebrew thinking. It wasn’t the immediate pit of flames upon death. We compared it with the Biblical picture which was both similar and very different. The Old Testament used the word Sheol for the abode of the dead, the New Testament used Hades, and Tartarus. Gehenna was a special valley in Jerusalem that was a metaphor for future judgement.

Hades in the Book of Enoch

Apart from Jesus’ parable of Abraham’s Bosom (Luke 16:19-31), there are no descriptions of the actual geography of the underworld in the New Testament. Rather than drawing from pagan Greek myths to depict Hades in Jesus Triumphant, I decided to draw from a respected Jewish source that did provide a “cosmic geography” or conceptual map of the universe that included the underworld. This geography of Hades can be found in the visions of the ancient book of 1Enoch.[1]

Though 1Enoch is not Scripture, I have argued elsewhere for the high regard that the New Testament gives the ancient text as a source for some of its own theological concepts and language.[2] The book consists of several “books,” that recount an expanded version of the Genesis 6 story of the Watchers and Nephilim giants, as well as visions that the prophet Enoch allegedly experienced of angels taking him around the earth, up into the heights of heaven, and down into the depths of Hades (which are actually arrived at by going to the “ends of the earth” rather than descending down into the earth).

Unfortunately, these visions are obscure, overlapping, and at times contradictory, so scholars have disagreed over their interpretation as well as their actual cosmic geography. I have attempted to use my own reading of the text and integrate it with several of these scholarly viewpoints that can be found analyzed in the book, A Study of the Geography of 1 Enoch 17-19, by Kelley Coblentz Bautch.[3] Imagination is required!

Since Enoch’s “map” is cosmic, it includes Sheol/Hades as well as the heavens and the earth. But some scholars have argued that Enoch’s entire journey is to the realm of the dead.[4] So I decided to use the ancient Near Eastern (and Jewish) notion of “on earth as it is in heaven” (Matt. 6:10) or “as above, so below,” to apply to the underworld as well.

In this way, the geography of Hades that Jesus follows on his underworld journey, is a reflection of the sacred geography of the earth above (“Sacred geography” means that it does not so much follow physical geography as it does theological meaning).

Since the underworld was believed by the Jews to be under the earth,[5] and accessed by the waters of the Abyss,[6] that was the source of the waters above,[7] I have those waters work as a kind of sky in the dome of the underworld (though not in all places).

The mountains below rise up from Hades to the earth above. So when Jesus is at Mount Zion in Hades, it rises up and penetrates the ceiling of Hades and becomes Mount Zion on earth above them. This fulfills the ancient Near Eastern notion of the cosmic mountains being an axis mundi, a connection between the heavens, the earth, and the underworld.[8]

The circle of Hades matches the circle of the earth above it and likewise has an ocean/river (the Great Sea or Abyss) at its outer reaches that extends beyond the “Four Winds” or “Four Corners” of the earth where the pillars of the earth support the heavens and the earth (1En. 17:5; Prov. 8:27, 29; 1Sam. 2:8; Mark 13:27).[9]

In this conceptual map, Jerusalem, or Mount Zion is at the center of the earth, and has “the accursed valley” (Gehenna) right next to it (Ezek. 5:5, 38:12; 1En. 26:1-2; 27:2).

North from that center resides Mount Hermon, the “rock” (mountain) that Jesus said God would build his new kingdom church upon.[10] This mountain is described as “reaching to the heavens” and as being the celestial storehouse of the luminaries and storms (1En. 17:3). Many rivers flow from it, including a river of fire and a river of “living waters” (17:4-8), and it is guarded by fiery beings who take human shape (17:1). This “source of the waters” is a reflection of the cosmic Mountain of Eden and it’s source of living waters (Ezek. 28:13-14).[11]

In the south are seven mountains of precious stones arranged in a perpendicular layout. The central mountain burns with fire day and night, and is called the “throne of God,” where God will come down at the final judgment. These elements suggest it is Mount Sinai (1En. 24-25).

In the west are “wintery winds” and the “great darkness,” where another mountain hosts “hollow places” for the souls of all the dead. The righteous are separated from the sinners, much like the chasm separates the righteous in Abraham’s Bosom from the sinners in the parable of Lazarus. (Luke 16:19-26; 1En. 17:6; 22:1-14).

In the east are “great beasts and birds” at the ends of the earth (1En. 33:1). Tartarus is further “beyond the edge of the earth,” where the earth meets to uphold the vault of heaven (1En. 18:10).[12] This is where the angels who sinned in Genesis 6 are kept imprisoned in gloomy darkness (2Pet. 2:4; 1Pet. 3:18-20). They are in deep pits or chasms that are like fiery pillars. (1En. 18:10-16).

There is much more detail that can be quite confusing to follow, so I have included an illustrated map with some of the major elements adapted from Bautch and my own reading of 1Enoch.

Can We Trust This Ancient Cosmology?

Continue reading →

Where in Hell is Hell?

Posted on October 29, 2015 by admin

Last post, we looked at the ancient Greek picture of Hades, the abode of the dead. We compared it with the Biblical picture which was both similar and very different.

The Old Testament used the word Sheol for the abode of the dead, and it was a place where the dead “shades” went to wait for judgment. But it wasn’t a place of fire and torture like many people think of today.

Now, let’s look at what the New Testament adds to the picture.

Because the New Testament is in Greek, it does not use the word Sheol, but the Greek word, Hades. Jesus himself used the term Hades as the location of condemned spirits in contrast with heaven as the location of redeemed spirits (Matt. 11:23). Jesus referred to the “Gates of Hades” (Matt. 16:18), a well-known underworld concept in ancient Near Eastern and Western Greco-Roman mythology.

This was more than a metaphorical reference to the “power of death,” because the sacred grotto in Caesarea Philippi, where he spoke those words, was considered a gateway to Hades.[1] The location had a cave with a deep chasm believed to lead to the Abyss and Hades.[2] In the book of Revelation, Jesus claims to capture the “keys of Death and Hades,” which is a doublet separating the two words rather than identifying them (Rev. 1:18).

Hades was the location of departed spirits in Christ’s parable of Lazarus and the rich man in Hades (Luke 16:19-31). It was from this parable that the term “Abraham’s Bosom” came, that indicated the separated location of righteous souls in Hades from the eternally thirsty wicked by a large chasm. This parable has been convincingly proven by some scholars to be a subversive polemic against the common motif of Hellenistic pagan journeys to the underworld and communication from the dead, not a literal geography of Hades.[3] But if it was good enough for Jesus, it’s good enough for Jesus Triumphant in its imaginative depiction of Hades.

In Greek mythology, Tartarus was another term for a location beneath the “roots of the earth” and beneath the waters where the warring giants called “Titans” were bound in chains because of their rebellion against the gods. Peter uses a derivative of that very Greek word Tartarus to describe a similar location and scenario of angels being bound during the time of Noah and the warring Titans called “Nephilim.”[4]

2Pet. 2:4-5
God did not spare angels when they sinned, but cast them into hell [Tartarus] and committed them to chains of gloomy darkness to be kept until the judgment.

From Sheol to Gehenna

Despite this claim of a realm for the dead in both the Old and New Testaments, there is very little specificity of description of its attributes beyond “darkness” (Job 17:13; Lam. 3:6) and “silence” (Psa. 31:17–18; 94:17; 115:17). The one clear certainty about Sheol/Hades is that “he who goes down to Sheol does not come up” (Job 7:9; 10:21; 2Sam. 12:23). As Papaioannou describes:

“First, Sheol/Hades is where everyone goes at death. There is no distinction between the righteous and the wicked… Second, Sheol/Hades is not a place of eschatological punishment, but rather the destiny of all human beings… Third, there is no life or consciousness in Sheol/Hades. In contrast to some cultures that envisioned meaningful existence in the afterlife, the Hebrew Bible portrays Sheol as a place of silence and lifelessness where human existence has come to an end… There is no memory in Hades (Isa 26:14); neither is there any longer a communion with God (Isa 38:18). It is a place of silence, darkness, and oblivion (Job 17:13). Thus, a person who dies in effect ceases to exist (Eccl. 9:6)… With a belief in a bodily resurrection, Sheol/Hades is only a temporary abode—the dead remain there until they are raised.”[5]

Richard Bauckham explains the change in understanding that occurred between the Old Testament and New Testament Scriptures regarding the abode of the dead. He points out that the older view did not involve active punishment of souls in Sheol, but merely involved holding the wicked in detention until the last judgment. The newer view, driven by apocalyptic literature included descents to the underworld, where increasingly only the wicked were located:

“The older view allowed for visits to the place of detention in Sheol (1En. 22), visits to the hell which is already prepared for but not yet inhabited by the wicked (lEn. 26:3-27:4; 2En. 10; 40:12; 2Bar. 59:10), and prophetic visions of the casting of the wicked into Gehenna at the last judgment (1En. 41:2; Bar 59: 11). But only the later view enabled a seer to see and to describe in detail the punishments actually being inflicted on the wicked in hell. The later view therefore spawned a long tradition of ‘tours of hell,’ in which a variety of different punishments appropriate to different categories of sinners is described.”[6]

By the time of the New Testament, some Second Temple Jewish literature began to increasingly evidence the notion of punishment for the wicked and reward for the righteous in Hades before the final judgment.

Bauckham suggests this new notion of immediate recompense upon death in both Jewish and Christian writings may have been the result of Greek influence,”[7] but the fact remains that after the advent of Christ and his spiritual mission, the change took place with the growth of Christianity.

In this sense, Christ’s descent into Hades, and his victorious triumph over spiritual principalities and the powers of Death and Hades marked the inauguration of God’s kingdom that may have included the beginning of rewards and punishment in Sheol/Hades.

The Greek word for “hell” used in New Testament translation is Gehenna. Some have believed that this was the name of a garbage dump outside Jerusalem that burned with perpetual flames, and Jesus used it as a metaphor for the fires of judgment. But recent scholarship tends to disregard this thesis as lacking both exegetical weight and hard archeological evidence.[8]

In fact, Gehenna is Greek for “Valley of Hinnom,” the valley that bordered the south and western sides of Jerusalem.[9] This valley had a dark history in Israel’s past as the location of tophets, or burning places for sacrifice to Molech, the underworld god. Israelites would “pass their children through the fire” as human sacrifice. God became so angry with this abomination that the prophet Jeremiah pronounced a fiery curse on the area destroyed by King Josiah around 632 B.C. (Jer. 7:29–34; 19:1–15). It would become known as the “Valley of Slaughter,” and a synonym for future judgment/destruction of people and nations in this life as well as the next.

Both Second Temple literature and Jesus’ teachings used Gehenna as a reference to the future final judgment (Matt. 13:42, 30; 25:41).[10] So, yes it was a metaphor for fiery punishment, but a far richer meaning than a burning garbage dump. It provided incarnate location for the belief in the eschatological judgment of God upon evil.

For additional Biblical and historical research related to this novel, go to www.ChroniclesoftheNephilim.com under the menu listing, “Links” > Jesus Triumphant.

[1] Michael S. Heiser, The Unseen Realm (Bellingham: WA, Lexham, 2005), 267-271; Jimmy R. Watson, The Religious History of Banias and Its Contribution to an Understanding of the Petrine Confession (Hardin-Simmons University, Master’s Thesis, 1989). 87; George W. E. Nicklesburg, “Enoch, Levi, and Peter: Recipients of Revelation in Upper Galilee,” Journal of Biblical Literature 100 (December 1981): 598.

[2] Wars of the Jews 1:405, Flavius Josephus and William Whiston, The Works of Josephus: Complete and Unabridged (Peabody: Hendrickson, 1987).

[3] Kim Papaioannou, The Geography of Hell in the Teaching of Jesus: Gehenna, Hades, the Abyss, the Outer Darkness Where There Is Weeping and Gnashing of Teeth (Eugene, OR: Pickwick Publications, 2013), 112. Richard Bauckham, The Fate of the Dead: Studies on the Jewish and Christian Apocalypses, (Leiden, Netherlands: Brill, 1998), 101.

[4] 1.25 ταρταρόω [tartaroo] Louw, Johannes P., and Eugene Albert Nida. Greek-English Lexicon of the New Testament : Based on Semantic Domains. electronic ed. of the 2nd edition. New York: United Bible societies, 1996. Bauckham, Richard J. Vol. 50, Word Biblical Commentary : 2 Peter, Jude. Word Biblical Commentary. Dallas: Word, Incorporated, 2002, p 248-249.

[5] Papaioannou, The Geography of Hell, 87-88.

[6] Bauckham, The Fate of the Dead, 34.

[7] Bauckham, The Fate of the Dead, 36.

[8] Papaioannou, The Geography of Hell, 80.

[9] Duane F. Watson, “Gehenna (Place),” ed. David Noel Freedman, The Anchor Yale Bible Dictionary (New York: Doubleday, 1992), 926.

[10] See 1 En. 10:13; 48:8–10; 100:7–9; 108:4–7; Jdt 16:17; 2 Bar. 85:13.

Monster: Very Cool Music Video about Bullying

Posted on October 27, 2015 by admin

This is a music video that I support because it uses the metaphor of monsters in our head like zombies that haunt us to do wrong. Very cool song. I wrote about this band in an earlier post here.

The band’s name is Gavlak.

They only have 3 days left to raise the money for this PSA-style video that will encourage young people not to bully, not to listen to the negative voices in their soul.

Check out the Kickstarter video here.